What Is Canon Log – The Canon 1DC is a great new tool for filmmakers. Today I’m going to tell you how I set up the camera menu for cinematic success!
In the summer of 2012, Canon, writer/director Po Chan and a team called Hurlbut Visuals teamed up for a short film project called The Ticket to showcase the Canon 4K DSLR 1DC. I am very excited about the opportunities and challenges of shooting with this new camera. As you all know, a DSLR is not always a film camera. The first goal was to shoot, and the video was imagined. Canon has announced that video sharing and streaming have been integrated for the first time and this is the solution; so C for 1D. That was the beginning.
What Is Canon Log
There are a lot of things you’ll need to turn the camera on and off to get the best pictures, as I did with the 5D MK II. But before we get to that, let’s add the GREEN STAR area to your menus.
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Start setting up your menu by adding the features you use most often to the Green Star area. The limit is six settings.
Once you’ve moved all that stuff to the Green Star area, this is the only place to go. Color temperature, format, card size, Canon range, and more are all in one place and at your fingertips. There is no need to navigate through submenus to get to the desired function.
Then go through the menu to turn off certain items. Peripheral lighting is still a photographic element that captures the lens that falls on the edge and illuminates those edges. Not good for video.
Canon Log is one of the best features of 1DC. This is where the photography and videography parts of Canon really throw it together. You want to turn this feature on, which will give you twelve stops at 400 ISO. It turns a DSLR into a cinematography machine, giving you the ability to shoot in a wide variety of situations while taking photos indoors and outdoors. Open access to Canon.
Canon Log Gamma
Focusing on the background noise is another thing that keeps the camera still visible from the side. It narrows down the basics and tries to give you more width in those basics. No thank you. It just blends in with your image. Canon Log disables this feature, but if you shoot in Picture Style mode, it will be affected.
High ISO speed Noise reduction is something you don’t want to turn on. This just makes your image simple and not artistic. It is better to use high quality noise reduction equipment in post than in camera.
In the gold core, turn the auto shut-off on at 15 minutes. The 1DC heats up quickly and is a great reminder for yourself. If you get busy and forget to turn it off, the camera will remember.
Mirrors are a new feature of DSLRs, the ability to work virtually on the LCD screen and allow your director or function puller to also see an external monitor. This would be huge on the brave side.
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But if you want to play on the camera to see the picture, then the mirror must be turned off or you won’t see the play. That’s the power of this little 4K recording device. I took a shot and gave it to the manager to show him. It’s very quick and easy, keeping your speed up and setting the count high. I wasted a lot of my day waiting to play or trying to get a signal on the camera to get to the video village. It’s faster with hard drives and all things PC-based, but when you’re in the thick of it, knowing a camera that can do it all is a good choice. Knowing all this, I choose to turn off Mirroring.
One thing you don’t want to do with Canon Log is the Canon View Help feature. This is a word. The 709 LUT removes flatness from the image, adding contrast and saturation for better lighting. The problem with this visual aid is that it’s too heavy on variety. With it, you can’t expose your camera more than you need to, and this camera, with its 8-BIT color space, is fast. What do I mean by mud? Muddy is a pejorative term that feels more negative than healthy. Black people get black, dirty black and look like muddy water. When this camera is not properly defined and you push it to the visible range in color correction, you start to get a noisy, blurry image, especially if you use a sensor that is very sensitive at night and shoot at ISOs above 400. I recommend shooting with this sensor from 1DC to 2000 ISO, but not higher. After this, it loses its BIT depth by about 6 BIT. Your color becomes smaller, as the hunger sensor also displays information. I found it to be 1/3 of a stop too tight and measured it with your light meter at 320 ISO which works like gangbusters.
So with all that said, it’s best to turn off View Assist and use the monitor’s built-in Canon LUTs like the AC-7 OLED HD display. The engineers at Small HD call the Canon Log LUT to get you right where you need to be.
Now that you have all those things turned on and off, save all that internal work to the CF card.
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Then save all that to your CF card. Install the 1DC camera. Now you can carry this from camera to camera and with just a few clicks, all the cameras in your 1DC arsenal are one. This is a huge improvement. It is very important that everyone on your team works with this new protocol. It gives you the basics to work with, and you can feel confident knowing that all cameras work in Cinematic shooting mode.
• The camera heats up and this affects the color space. Turn off when not lighting or shooting
Now you have a camera that captures the best of the world of video, packaged in a film guide. Next week we will get around to setting up and logging into your 1DC.
Https:///wp-content/uploads/2013/10/1dc_4kbf_sm-1.jpg 274 435 Shane Hurlbut, ASC Shane Hurlbut, ASC 2013-10-10 09:03:50 2022-02-10 17:32:07 How to set up the shooting menu on the Canon 1DCI It’s no secret that Canon DSLR users feel they have a better job in terms of video, especially with Sony’s A7 series. One of the main drawbacks of this is the lack of a wooden or built-in profile.
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So when I came across the Canon C Log profile for the EOS HD, I parted with $9.99 quickly. This is a 3rd party profile, not an official Canon one (just to cover myself)
The biggest problem I have is the connection between my C100 and my 7D Mark II. I can get there but it’s not where I want to be.
Working with the C100 video projector, I always expose two stops down to reduce shadow noise but still keep the light on. With C Log on the 7D Mark II, I found that just one stop was enough.
With these Canon C DSLR’S, I was hoping it would allow me to connect them properly. I look best in natural light or ambient light, so that’s how the tests were done.
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Below are two shots, side by side from my C100 and 7D Mark II. Both are not connected C Recorder.
The first number is the main advantage of the tree, which covers a very large distance. I’m not going to lie, this isn’t bulletproof, but it’s way better than Cinestyle. Very nice!
In fact the diary profile works very well, the only thing that doesn’t allow it is the camera. This profile will work well on Full Frame DSLRs, but on my 7D Mark II at ISO 1600 it worked very well and in 7 dwarf shots there was no noise reduction.
This brings me to a very good bite. This profile, although it mimics the effect of c log, cannot affect the internal codecs of Canon dslrs. I chose to shoot on my Ninja 2 because it’s easier to work with ProRes, but also to get comparable results between my two cameras.
Canon Eos C300 Mark Ii
I think it’s a real step up from Cinestyle or any other profiles I’ve used before. However, you should be aware that you will benefit from the additional data in ProRes
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