How To Flip Image On Epson Projector

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How To Flip Image On Epson Projector

How To Flip Image On Epson Projector

Armed with a laser light source, the LS11000 targets our favorite high-end projectors and (mostly) hits.

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Geoffrey Morrison is a writer/photographer for Forbes and The New York Times. He is also the editor-in-chief of The Wirecutter. He has written for Sound and Vision magazine, Home Theater magazine, and was editor-in-chief of Home Entertainment magazine. Trained by NIST and ISF, he holds a BA in Television/Radio from Ithaca College. His best-selling novel Undersea and its sequel, Undersea Atrophy, are available in paperback and ebook on Amazon. He spends most of his time as a digital nomad, traveling and working around the world. You can follow his travels at BaldNomad.com.

The Epson LS11000 home theater is a high-end 4K projector that uses lasers instead of the traditional lamps used by most of its competitors. One bulb powers Epson’s Home Cinema 5050, a projector we’ve come to love and continues in the company’s lineup. The LS11000 costs $1,000 more and offers a big leap forward, with more screen pixels and the aforementioned lasers. Both delivered excellent picture quality in my tests, with excellent colors and bright, punchy images, but the next-generation LS11000’s performance isn’t a huge improvement with this new technology.

Don’t get me wrong. The LS11000 is still a great projector, and all the new bits and subtle changes — plus the benefits of using a laser — add up to a great overall picture. Among the projectors we’ve reviewed, it’s second only to the more expensive Sony VPL-VW325ES. So maybe I’m just plain. But for $4,000, the cages are worth picking up.

Like other 4K projectors, Epson uses low-resolution chips to create 4K pixels on the screen. In this case, three 1080p LCD screens and a pixel shifter quadruple the visible resolution. The Epson 5050 used similar technology, but doubled the resolution.

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The light output of the Epson LS11000 is rated at 2,500 lumens. I measured around 1,400 lumens in Bright Cinema mode, which offers a good compromise between accuracy and brightness. It’s a bit behind the 5050 in both rated and measured brightness, but still what I consider “bright” for a projector. I got about 1,900 lumens in the cheap but bright dynamic mode.

A blue laser creates blue light and energizes a yellow phosphor. These are separated into red, green and true blue using dichroic mirrors. Each color is reflected on its own LCD screen, creating its own part of the image. When combined, you get a full color image on the screen. Epson

Like many other Epson projectors and some similarly priced DLP projectors, the Epson has a mechanical lens shift and zoom. This is one of my favorite and most used features. I have a 2.35:1 screen, so when I watch a movie or show that uses that aspect ratio, a few button presses can zoom the projector to fill the wide screen. What’s more, the zoom, which isn’t possible with DLP projectors at this price point, is large enough that you can place the LS11000 in the back of the room. The shift of the lens is generous enough that you can place it on a shelf without mounting it to the ceiling. Another advantage over DLP projectors.

How To Flip Image On Epson Projector

The big feature of the Headliner is that it uses a laser instead of a UHP bulb like most projectors. In this case, it’s a blue laser and a yellow phosphor, an arrangement found in most newer laser-light projectors.

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This means that the light source will effectively last the life of the projector. Rated at 20,000 hours, that’s about 14 years, ~4 hours a night.

The LS11000 has the connections most people need, without the fluff of many projectors. No analog inputs, for example. Good: You won’t miss them.

With a generous 2.0 amp on the USB connection you can easily power a streaming stick. I hope anyone spending $4,000 on a projector has enough left over in their budget to get a complete home theater system. But if you want to set it up like that, for some reason one of the HDMI inputs has eARC.

Anticipating a more complex cinema setup, the LS11000 also has a 12v trigger, RS-232 and Ethernet, should you wish to hook it up to a home automation system.

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The bulky remote control is basically the same as many previous Epson projectors, but it’s easier to use in the dark thanks to the large buttons and backlight.

For a side-by-side comparison, I pitted the Epson LS11000 against the Epson 5050 and the Optoma UHZ50. Both cost less than the LS11000, but have a lot in common. The 5050 is a traditional lamp-light projector, but it’s close in price and performance. UHZ50 is DLP and laser light. I love both of these projectors, so they’re all winners. Maybe one will be more successful than others? let’s see. I connected all three through a Monoprice 1×4 distribution amplifier and viewed them on a 1.0-inch 102-inch monitor.

Sharpness isn’t the most important aspect of a projector’s performance in my book, but the detailed differences between the three were immediately noticeable. Apparently, all three of these projectors are 4K, but none have a 3,840×2,160-pixel display chip (you’ll have to spend more money to get one). Instead, each pixel on the display acts as a double or quadruple, responsible for 2 or 4 pixels on the screen. This is one of the biggest changes from the 5050 to the LS11000. Epson’s new pixel shifter shifts 4x pixels instead of 2x. So between these two projectors the LS11000 is definitely sharper as it has twice the resolution.

How To Flip Image On Epson Projector

The LS11000 has a lens hood that automatically retracts and looks like you’re grinding plastic cutlery in a blender. Jeff Morrison/

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However, the UHZ50 felt a little sharper. In my experience, DLP inherently does a better job of reproducing detail, mostly due to the lack of motion blur. Although the difference is noticeable up close, most people are unlikely to notice it at home.

Contrast is a different story. This is DLP’s Achilles heel, and while the UHZ50 is good compared to other DLP projectors, it lags far behind here. It doesn’t look washed out, but the two Epsons have more depth and better black levels. UHZ50 looks flat and its black is grey.

However, the comparison of the two Epsons is quite interesting. As I measured, the 5050 has very good native contrast ratios of 5,200:1 and 1,808:1. I was so surprised by this result that I kept counting it again. The dynamic contrast of the LS11000 is even lower, where the laser power monitors the brightness of the incoming video signal and adjusts accordingly. However, this function is more useful on the LS11000, as the adjustment is almost instantaneous, much faster than the 5050’s mechanical iris. The result is that the LS11000 looks much better subjectively than the numbers suggest. Just look that they are roughly comparable.

With regular HD and 4K content, color is pretty good in all three. The LS11000 looks the most natural and its colors are a bit richer. The difference isn’t huge, but the LS11000 is the best. That lead extends with HDR doing a better job of reproducing a wider color gamut than the 5050 and UHZ50.

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I’m not one to be swayed by specifications and promises. I’ve been doing this for a long time and I’ve been weird since I found out I’ve never owned a Gullwing sports car. (No, not that, that.) But the LS11000 surprised me. I expected overall performance improvements compared to the 5050, but I didn’t see it.

The LS11000 is a diagonal step up from the 5050. Does it feel better subjectively? Yes, but not as much as the extra $1,000 suggests. Color and brightness are good, contrast is decent, and the extra detail for the 5050 is welcome. So it sounds great, sure, but is the 25% better that the price implies? about

As boring as it sounds, I guess my overall conclusion should include “total cost of ownership”. Each new bulb for the 5050 is currently $330. Lasts about 4,000 hours, a new bulb every 2.5 years if you watch 4 hours a night. If you’re like me and use the projector as a regular TV, that’s optimistic. LS11000, thanks to lasers, no bulb

How To Flip Image On Epson Projector

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