How To Use Canon 80d Camera – I’ve been shooting on the successor to Canon’s famous 70D since it was released earlier this year. For fans of the EOS series, it’s everything you’d expect: ease of use, rugged design, stunning images with Canon’s favorite color technology, and a wide selection of EF lenses to suit almost any occasion or event.
And, the coup de grace: this self-centered magic. Canon’s Dual-Pixel AF system is really great. If you shoot video — like I do here for Stark Insider — you can treat it as your personal, expert focus tool. Tracking moving objects is simple. To point the focus, you simply touch the LCD screen and the camera responds almost immediately with perfect focus. Amazing things.
How To Use Canon 80d Camera
Here are some examples of videos I’ve shot with Canon DSLRs over the years, including the 60D, 70D and 80D:
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If you’ve just bought a Canon EOS 80D or are planning to buy one, here are 5 quick tips on how to set up your camera for video and get the most out of it when you’re out in the field.
Note: Most of these tips also apply to the 70D and even earlier models like the 60D.
For the most part, when shooting video with the 80D, you’ll want to set everything manually. Yes, automatic mode can be convenient, but if you leave the settings in automatic mode, your image may change unexpectedly during recording, which may result in unusable footage.
I shoot video on the 80D at 23.98 fps – the same speed that most cinematographers use. A general rule of thumb for shutter speed is to set it to about twice the frame rate. In this case it would be 23.98 x 2 = about 48. So 1/48. But the 80D (like its predecessor) operates at shutter speeds in multiples of 10 seconds, so:
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The 80D includes a variety of “picture styles” (standard, portrait, landscape, portrait, etc.) that affect how the image is recorded. At the end of the day, it’s a matter of personal preference. However, if you plan to manipulate the look of your video in post using something like, say, Adobe Premiere Pro or Final Cut Pro X, then you’ll probably want as flat an image as possible. Most professional level cameras have a “mouth” shooting mode. Canon C100 has “Canon Log”. The 80D doesn’t have a log mode, so the next best bet for getting the flattest, rawest possible image is “neutral”:
I wish Canon had included a focus light in the 80D. This feature is handy for critical focus as it highlights in-focus elements in any frame with a color (usually red) on the LCD. Fortunately, though, the 80D has a zoom. Does not work during recording. Before shooting something that requires absolutely perfect focus – perhaps a dramatic close-up of a praying mantis! — press the zoom button on the back, top right on the 80D with your right thumb. Click on it again to strike, and if necessary, again to pull even closer. The image on the LCD will give you a nice close-up. If necessary, manually adjust the focus and then start recording
Everyone agrees that DPAF on Canon SLRs is the best autofocus system in its class. But there are also disadvantages. For example, let’s say that for a documentary you lock the focus on the subject – a talking head. You are registered, good luck. The 80D then decides to focus on another subject in the frame, probably because your subject has moved. Suddenly you lose focus on the object. You can tap the person’s face again to focus, but part of the frame will be ruined.
To avoid this situation, here’s a quick tip: focus on your subject with 80D DPAF mode and face tracking. Then, when the focus is perfect, turn off the autofocus by sliding the AF switch on the lens to the OFF position with your left hand. Now you have complete control. The 80D won’t try to guess you and move to another focus point. Manual focus can be easily changed if needed. Now suppose you accidentally zoom in on a close-up image. After zooming, turn auto mode back on. Close focus. Turn off. And repeat. Works like a charm once you get the hang of it.
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After following the 5 steps above, you should be well on your way to creating fantastic video with the Canon EOS 80D (or 70D, of course, the gem of an SLR).
Shot on location with Canon C100 II and EOS 80D in Mountain View, California. This is my wife, aka Stark Insider, hosting in the orange jacket, learning how to play swords, and yours truly is on the C100 background. The photo is a shot from an 80D that I held on a tripod as a b-cam.
Shoot, shoot, shoot. Only after shooting often in a variety of situations will you learn how to handle the 80D and the various settings. Eventually, you will have the muscle memory to send your thumbs and your hands will intuitively know what to do. Live behind the wheel of a car, everything will become instinctive. This is the beauty of Canon design. The buttons and dials are very well laid out and exactly where you expect them to be. Eventually, like some kind of warrior, you may even find that you “become one” with the camera!
Professional digital mirror video on Stark Insider. Canon EOS 80D Video Kit: Is It a Good Deal? 5 Best DSLRs and Mirrorless Cameras for Video (2016) Sound Design in Video Production: Before and After (Video) Shooting on the RED Raven: A DSLR Guy’s Thoughts (Video Test) Canon EOS 80D: Video Features Q&A
Canon Eos 80d Expert Review
If you’re shopping for lenses, here are some of my top picks for ones that work well for video.
Also, a lot of people have asked what accessories I use when I shoot videos here for Stark Insider. In this article I talk about things like LED lighting panels, microphones, batteries.
Advice. If you’re on a tight budget, I’d still recommend the EOS 70D. It has DPAF, a very good image sensor, and you get the same performance as the new 80D, saving a bit of money. For those looking to get into the DSLR video game as cheaply as possible without sacrificing performance and are willing to ditch DPAF, consider the classic EOS Rebel T2i. Flash it with Magic Lantern firmware and you’ve got an incredible $500 movie camera. At the end of the day, these are all just tools, and ultimately everything else will matter more: lighting, acting, composition, editing, sound design, and especially the story. The Canon 80D (reserved for certain grades only) comes with an 18-135mm f/3.5-5.6 IS USM lens.
The focal length varies from 18–135 mm. The f-stop is the “aperture” of the diaphragm on the camera lens, and it controls the amount of light you let through the lens. It can also affect how much in front or behind the subject is in focus. The USM feature on the lens stands for Advanced Motor. This motor provides much quieter and faster autofocus.
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No. 3. There are switches for changing the focus: autofocus (AF) and manual focus (MF). This can override the autofocus settings set on the camera body.
#1 – On/Off switch (#1 in the attached photo). Just turn the switch to the right to turn on the power.
#2 – This switch sets the recording mode. Photo or video modes are available.
#3 – This button starts and stops video recording. Depending on the mode, it can also be used for photography.
Review: Canon 80d
#4 – The Quick Menu will display the most frequently used camera settings on the touch screen. More on that later.
#6 – The LCD is also touchscreen. This LCD will preview your video. To enable real-time photo preview on the LCD in photo mode, simply tap the start/stop button. The display also rotates 180 degrees.
#7 – Wheel selection. This wheel will help you navigate through the menu. The larger wheel on the outside makes it easy to scroll through the images.
#8 – Set Button – Click this button to confirm your menu selection. Or use the touch screen.
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#9 – “Expand” button. These buttons will allow you to zoom in and see a more detailed view of the photo. In video mode, it will magnify the image, making it easier to focus.
#10 – AF-ON button. This button acts as if you were half-pressing the camera shutter. This will close the autofocus. You can also tap the touchscreen to focus on a specific item.
#11 – menu button. This button will display all menu options on the touch screen.
#12 – Information button. Will display detailed information depending on which mode you are in. Can be used to enable/disable certain overlays.
Canon Eos 80d Review
The dial in the upper left corner switches the camera to different modes. Simply press the button in the center of the disc down and rotate the disc to the desired mode.
#1 – Fully automatic mode with automatic scene detection. Everything is in automatic mode; exposure, white balance, flight,
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