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How To Use Canon Ae 1
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Canon Ae 1 Program 35mm Film Slr Manual Focus Camera W/ Fd 50mm Lens
The Canon AE-1 is a 35mm single lens reflex (SLR) film camera for use with interchangeable lights. It was manufactured by Canon Camera K. K. (today Canon Incorporated) in Japan from April 1976 to 1984. It uses an electronically controlled electromagnetic horizontal plane focal plane, with a speed range of 2 to 1/1000 seconds plus bulb and flash X -sync. in 1 / 60 seconds. The camera body is 87mm high, 141mm wide and 48mm deep; it weighs 590 g. Most are black with chrome trim, but some are all black.
The AE-1 is a historically important SLR, both because it was the first microprocessor-equipped SLR and because of its sales: supported by a huge advertising campaign, the AE-1 sold more than 5.7 million units,
The AE-1 has a set of Canon FD rear ls mounts and accepts any FD or New FD (FDn) ls. It is not compatible with the later Canon EF ls mount, although adapters made by independent manufacturers can be found. The camera will also accept Canon’s previous FL mounts through the use of stop metering.
The original FD lse, introduced in 1971, does not rotate during the assembly process; instead, they turn a ring close to the base to secure the ls. This has often been criticized for being slower than the bayonet mounts on competing cameras.
Black Canon Ae1 Ae 1 + 50mm F/1.8 Or 2.0 Lens Manual Camera Kit
However, the counterargument was that since the ls/body crossing surfaces were not rotating, there was no wear that could affect the critical distance from the ls to the film plane. In 1979 Canon introduced the new FD series of lse units which rotate the entire lse barrel outward to close. The barrel inside the ls remains stationary, so the signal levers and pins still don’t turn. During the late 1970s there were over 50 Canon FD images available for purchase. They ranged from a FD 15mm f/2.8 SSC Fisheye to a FD 800mm f/5.6 SSC, plus special features like a 7.5mm circular fisheye and a 35mm tilt and shift ls.
Accessories for the AE-1 include Canon Winder A (motorized single frame film advance up to 2 frames per second), Canon Databack A (serial number or date stamping on film) and Canon Speedlite 155A (guide number 56/ 17 (foot / meter).) at ASA 100) and Canon Speedlite 177A (part number 83/25 (ft/meter) at ASA 100) electronic flash. The later Power Winder A2 is also compatible, but the Motor Drive MA is not.
The AE-1 is a battery operated (a 4LR44 or 4SR44) microprocessor controlled manual focus SLR. It supports either manual exposure control or shutter priority exposure. The exposure control system consists of a needle that points to a vertical f-stop scale on the right side of the viewfinder to indicate the reading from the built-in light meter (quad-weighted with a silicon photocell). The viewfinder used by the AE-1 is Canon’s standard split-image rangefinder with micro-prism collar focus assist.
The AE-1 was the first of what became a complete overhaul of Canon’s SLR camera series. The 1970s and 1980s were a time of intense competition between the major Japanese SLR brands: Canon, Nikon, Minolta, Ptax and Olympus. Between 1975 and 1985 there was a dramatic shift from all-metal heavy manual mechanical camera bodies to more compact bodies with integrated circuit (IC) electronic automation. Also, due to rapid advances in electronics, brands are blasting each other with progressively more automated models.
Canon Ae 1 Program Service Manual
Although Canon had been making quality 35mm cameras for decades, by the late 1950s it was overshadowed by rival Nippon Kokagu K.K. and his Nikon camera. While Canon easily led the amateur market for compact fixed lenses (where Nikon did not compete), Canon’s SLRs lacked the professional qualities of the top-of-the-line Nikon SLRs. Nikon, with its strong reputation for quality materials and craftsmanship, maintained a stranglehold on the prestigious professional SLR market that the competition could not break.
The AE-1 was the vanguard of Canon’s flagship A-series amateur A-series cameras and led Canon’s entry into the electronically controlled SLR market. Other members of the A series were the AT-1 (released in 1977), A-1 (1978), AV-1 (1979), Program AE-1 (1981) and AL-1 (1982). . They all used the same compact aluminum alloy chassis, but with different performance levels and cosmetic plastic exteriors. By sharing most of the main components, including an inexpensive horizontal fabric shutter, viewfinder information display, and autoflash control, Canon further reduced costs and was able to undercut the most expansive SLRs on the market.
In keeping with its cost-saving philosophy, Canon designed the AE-1 to use a significant amount of structural plastic for a lighter and cheaper camera, as it has less impact resistance. Canon has gone to great lengths to disguise the use of plastic – injection-molded acrylonitrile-butadiene styrene (ABS) so the top panel is finished in either satin chrome (or black enamel) to give the look and feel of metal. The bottom plate was made of brass and finished with satin chrome (or black enameled). An extensive use of electronics also allows for simpler modular internal construction instead of mechanical links. Five larger and 25 smaller internal modules reduce the number of individual parts by more than 300. Modular design, in turn, allows automated production lines to reduce costs. Unfortunately, cost concerns have also resulted in the use of plastic in some of the moving/operating mechanisms.
The AE-1 was never designed to be a professional camera. However, it has relatively simple controls and automatic aperture for newcomers, and various manual controls and system accessories appeal to more experienced photographers. AE-1 was the first SLR bought by millions of amateur photographers, convinced by its list of features and low price.
Vintage Canon Ae 1 35mm Film Camera
In many ways, the AE-1 re-established the confluence of two streams of Canon camera development. The first generation electronically controlled 35mm SLR Canon EF (1973) was merged with the ultimate rangefinder Canonet G-III QL17 (1972). After decades of chasing Nikon for Japanese optical supremacy, Canon finally found the formula for success: great technology for ease of use, cheaper internal parts and electronics at a lower price, and great advertising to get the message out. Despite an outcry from traditionalist photographers who complained about an “excess” of automation ruining the art of photography, automation has proven to be the only way to fool most amateur photographers.
The AE-1 only had a pointer used to indicate the light meter’s recommended f-stop, and neither a fine needle to indicate the actual ls-set f-stop, nor an over/minus indicator for over/underexposure. The AE-1’s flight priority system was better suited for sporting activities than preserving depth of field, but its 1/1000s maximum horizontal flight speed limited its use for such activities. The design of the battery door has been subject to frequent violations, and over time owners have reported cases of flying and mechanical gremlins, including wearing glass links (“Canon-squeal”). Canon’s possible abandonment of the FD ls mount for the EOS autofocus design also had an effect on the prices of the AE-1 on the used market.
Apple sound designer Jim Reekes records the screen audio used on Macintosh computers and iPhones from the AE-1 he used as a high school stud. It is perhaps understated that since the new 35mm cameras have not been manufactured (or at least not produced in volume) we have changed the way we evaluate these cameras as a community. When cameras were manufactured like any other consumer electronic device, the life of a camera was less of a problem. But now, as we see when the latest electronics have failed for decades, we have prioritized simplicity. This consideration turns the once-humble camera into a precious object in the film world.
) through which you can look at the Canon AE-1 with some kind of positivity. Not that the venerable AE-1 is a bad camera. Instead, it seemed clinically derived by Canon does not cause any reaction in the human soul. Remember, the opposite of love is not hate, it’s apathy. Canon AE-1 Design
Vintage Canon Film Camera Collection
The design of the Canon AE-1 can be described as typical of a Japanese SLR made in the mid-70s, which is a polite way of saying almost completely unremarkable. The biggest design triumph on the body is the inclusion of the old-school skinny Canon logo, which is typographic perfection so complete that the company had to change it to a bloated mess of a logo to make people buy more gear to fill it. . emptiness in their hearts.
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